Category Archives: Fiction

Ben-Hur et al

Actor Charlton Heston as Judah Ben-Hur
Ben-Hur, 1959

Movies based on Biblical stories and characters have been extremely successful in the past. However the 2016 motion picture treatment of Ben-Hur—a retelling of a best-selling novel, a long-running play, and one of the highest grossing movies in history—has met with poor box office receipts at its North American release this month. Why? In the 1950s, Biblical epics were among the most profitable movies released up to that time. And among these films are at least three in which Christianity is viewed through a positive lens. Has the appetite for ‘Jesus-friendly’ epics changed?  I’ll argue that the audience for Christian-based films today is fundamentally different from sixty years ago, and this difference may be an example of a growing divergence between the secular and the religious in today’s society, especially when compared to the middle of the twentieth century.

In this piece I’ll take a look at three films, extremely successful in the past, and sympathetic to the Christian faith. They are Ben-Hur, The Robe and Quo Vadis.

Ben-Hur (1959 and 2016)

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Ayana’s Ride Parts II and III

 

Ayana's Ride
Ayana’s Ride

II

 I’ve got to get to the bottom of this. How could he have gotten that score? As I approach the car, the engine automatically starts and the right side door, the one closest to me, pops open. As soon as I sit in the cheap cloth seats the seatbelt automatically wraps around me.  Even though it’s thirty degrees in the car-waiting area, it’s cool in the vehicle, the natural temperature in the car’s ergonomics program.

‘Where to?” Siri asks.

“Home.”

We glide out of the waiting area to the main street. Sometimes I wish Siri would speed up a bit. Can’t she tell that I’m in a hurry?  I have to talk to somebody about this, or this is going to drive me crazy.

Madison? My mother, his only daughter?  She would be the obvious person to handle this. I’ve got to tell her about this. Somebody’s gone and screwed with her own father.

“Call Madison,” I practically yell at the centre console. I pull a bottle of   water with a twist of lemon out of my bag and take a long gulp.

The call goes through, but the voicemail returns. “Leave a message.” My mother was never one for words. “Yeah, Madison, it’s me. Listen, I…”  I don’t know what it is but something inside, that small annoying voice in my head—I don’t know where it comes from—tells me to hold on. Why, I don’t know. Just think about this for a while, before you bring her into this. After all, she’s been acting kinda strange lately, ever since you started visiting him more frequently.

“Yeah, Madison. Just saw Pops. He says to tell you hi. Talk later. End call.”

Don’t know what’s gotten into her. She’s fifty-five years old, looks twenty-five, but sometimes acts like a five-year old. I take another swig of the lemon water. The scenery zips by outside the windows and the lower glass door panels. Inside the cabin is as quiet as can be. At times like this I’m glad for the silence.

Another five minutes and the silence is unbearable. I’ve got to talk to somebody.

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